Emily Hallewell

Writer

The Road

This morning when I got out of bed, I came straight to the computer, and began to write. I’ve been stuck on a story, not sure of how to make it work.

So instead of trying to make it work I “wrote downwards” as Andre Dubus puts it - instead of trying to get my characters from a to b, I started writing about my main character at the moment at which the story starts, and I followed him through to its end.

I now have a completely different structure to my story and I don’t know if it is any good, but now I can answer my tutor when he asks what the story’s about - it’s about James.

Thought I'd try this button out...

  • Emily: So Emily, what are you up to?
  • Emily: Just checking out the 'chat' button on Tumblr. Not really sure what it's for.
  • Emily: Oh. That's interesting, Emily. Why don't you go and do something else now?
  • Emily: Well actually, this is kinda fun. Just chatting away.
  • Emily: But you're not talking to anyone.
  • Emily: I know. That's what makes it fun.
  • Emily: Hmm... Go and do some work now. Still another 1.5 hours until you've reached a full working day!
  • Emily: But...
  • Emily: Stop misbehaving.
  • Emily: *sigh* Okay then... *sad face*

Today I just can’t be bothered.

Because today it is raining and dark and cold. And dread of phone calls has put all other work on hold. No terrible news, nothing incoming; but I think of “Hello” and I think of them gunning. My words will fall, I’ll stutter, I’ll stall. I’ll say “Thanks and bye” and have ruined it all.

Progress along the road…

Currently trying to finish Chapter 3 of my novel. It seems that the introduction is easy, then it’s a slog until you build up enough steam that the thing writes itself.

I’d be interested to know the stages that ‘real’ novelists go through… But I don’t fancy trawling through blogs right now! :D

Funny, cute, and stunning! Watch out for 3:56…

Dieting

Note to self:

Crisps is not lunch.

Cake is not dinner.

Chocolate is not breakfast.

And coffee is not a good alternative to water. Seriously.

The Cumbrian fells. Inspiring, no?

The Cumbrian fells. Inspiring, no?

West Yorkshire Theatre Network

A super new company aiming to connect all artistes across West Yorkshire and beyond.

What a fantastic opportunity for everyone, right! That’s why I’ve volunteered to work with them.

The idea is: anything you need - actors, directors, writers, skills workshops, mock auditions - WYTN will provide. Hurray!

This is where I want to be… Captured the dream perfectly.

rrcreations:

Beach Watercolor Painting
(9 inches by 12 inches) 

(via therealvagabondking)

Beneath Ceaseless Skies

A brilliant online fantasy magazine. Read The Castle That Jack Built by Emily Gilman.

People called Emily must just be naturally talented writers…

Gandalf…

… that doesn’t hold for authors, does it…?

Many that live deserve death. And some that die deserve life. Can you give it to them? Then do not be too eager to deal out death in judgement. For even the very wise cannot see all ends.

—J.R.R. Tolkien (Gandalf the Grey)

(Source: notquitecharlotte)

Heroes… [rant alert]

If a hero is just a soul in transformation, why is it so difficult to write outside culture conventions? I should be able to make up anything I want, provided the character grows in the course of their journey.

The problem has really hit home in relation to gender: I want to write a fantasy novel about a female hero, but I didn’t want her to succeed (a) by dressed as/acting like a male warrior, (b) only to then go on to claim her suitable marriage, (c) as a solitary female acting in defiance of her patriarchal society.

But it seems impossible!

With sci-fi it’s a lot easier, because you’ve more freedom, in a way, to create a whole new world. But for fantasy to be recognisable as such, and for it to appeal to a fantasy audience, it seems that you have to base your work in part on a period of human history.

Which means, of course, that the society on which you base it is almost certain to be run by males with women in subordinate positions.

Why?

Because that’s human history!

And if you alter it, your work risks being seen as irrelevant. Strange as it seems, fantasy must be strongly grounded in the real world to allow the reader to understand and sympathise.

Another issue: I read that a hero must stand out from the crowd in order to be seen as a hero - so if you altered history so that all women were strong, then the hero would shine less brightly as a result.

Actually, I think this must have been written by a women feeling helplessly oppressed: nobody brings up the issue when it comes to male heroes.

Perhaps I just need to feel less constrained by history; make a world seemingly like Italy during the Renaissance, but in which women and men both hold positions of power and dominate parts of the street. Then, of course, the class issue becomes more apparent, but I think that we need different classes in a way we really don’t need submissive and dominant genders! 

On the other hand, it seems that the fantasy hero must always be fighting against something, and having that thing as gender inequality makes the novel relevant and perhaps offers a good role model for girls who think that they ought not to aim as high as men…

What a tricky issue…